Birth

[original title:  Geburt]

Switzerland 2009. 35mm, 1:1.66, Dolby digital, colour, 76 min.

Geburt Geburt Geburt affiche

In this film the viewer experiences the birth of a human being as a primal, physical, and sensual experience.

In this film the viewer witnesses the birth of a human being as an elementary, physical and sensual experience, participating intimately in the secret of nascent life.

The film depicts how women hazard the unpredictable and inevitable, and how they balance their fears and insecurities with a trust in their own rhythm of letting go, biding their time, and reflecting quietly. Thus the film tells a story in which the important moments in a pregnancy are rendered tangible: the communication between the mother-to-be and her midwife, the affection and attachment between husband and wife, and lastly, one of the most intense moments in the life of a human being that is simultaneously bound with joy, pain, amazement and fear.

DirectorSilvia Haselbeck, Erich Langjahr
ScriptSilvia Haselbeck, Erich Langjahr
WithDie Familien:
Franziska Buchmann und Hanspeter Gamma mit Olivia, Mirjam und Elias
Carmen und Giuseppe Cerminara-Lüpold mit Shayenne und Savannah

Die Hebammen:
Esther Fischer-Brun
Patricia Mirer (Geburtshaus "Terra Alta" Oberkirch)

Die Geburtsvorbereiterin:
Cécile Malevez-Bründler
PhotographySilvia Haselbeck, Erich Langjahr
SoundSilvia Haselbeck
EditingSilvia Haselbeck, Erich Langjahr
MusicCarmela Konrad, Gesang, "Melodien für uns"
Beat Föllmi, Perkussion, "Heartbeat"
Lea Dudzik, Gesang, "Aus den Reihen"
Manuel Troller, Gitarre
Martina Berther, Elektrobass
CollaboratorsTonschnitt, Mischung: Guido Keller
Grafik/Plakat: Art Ringger + Marion Lastin
Duration76 min.
Format35mm, 1:1.66, Dolby digital
VersionsSchweizerdeutsch / deutsch untertitelt / english subtitles / sous-titres français
Sales DVD/VideoDVD   [order]
ReleaseNyon 2009
FestivalsNyon, Visions du réel 2009 (Competition internationale)
Locarno, Festival del Film 2009
Int. Leipziger Festival 2009
Int. Hofer Filmtage 2009
Solothurner Filmtage 2010
Würzburg, 36. Int. Filmfestival 2009
Augsburg, Tage des unabhängigen Films, 15.- 24. Oktober 10
St. Gerold, Walser Herbst 2014
AwardsDokumentarfilmpreis 36. Int. Filmfestival Würzburg
TV broadcastsSRF, 15. Mai 2013
ProductionLangjahr-Film GmbH, Luegstrasse 13, CH-6037 Root
Tel. +41-41-450 22 52 – Fax +41-41-450 22 51
E-mail: info@langjahr-film.chsend this messagewww.langjahr-film.ch
World RightsLangjahr-Film GmbH
Distribution Switzerland
and international
Langjahr-Film GmbH, Luegstrasse 13, CH-6037 Root
Tel. +41-41-450 22 52 – Fax +41-41-450 22 51
E-mail: info@langjahr-film.chsend this messagewww.langjahr-film.ch

Show screenings


Press review

«The spectacle of birth away from all untimely medicalization, with natural gestures and some exact images of the time of life that is arising.» (Catalogue Nyon Festival)

 

Reviews

The cinema of Eric Langjahr, with whom Sylvia Haselbeck, his wife and mother of two children, has closely collaborated for more than twenty years, is committed to describing gestures and activities in their original movements. Just think of Das Erbe der Bergler (2006), which denotes this taste for sustained observation of these mountain peasants about to disappear. Geburt, co-directed by Sylvia Haselbeck, commences with a figure of the pregnant Madonna (the director herself) and by scenes of grottos and caverns that symbolize the belly of the earth, and consequently the maternal stomach. Then follows a tale of astonishing simplicity, devoted to showing the moments of pregnancy.

After some preparatory scenes with parents, breathe deeply!, comes the childbirth, offered at the time of its happening and unhurried by any untimely cut. The cinema creates its own representative rhythm, which has to comply as nearly as possible with the duration of the revealed events. The two filmmakers, who have themselves edited the film, have mastered the art of the ellipses that do not hasten real time.
The second part of the film re-adopts and deepens the first. Asserted then is the charismatic personality of Patricia, a wise woman who accomplishes her profession serenely and with an archaic confidence. Her gestures, words and smile invite us to this celebration of life that Langjahr knows how to film from a correct distance and with remarkable restraint. No intrusion into the intimacy of the stages of gestation, but their presence within an immemorial ritual, in which life is in the course of happening. Ultrasound thus becomes a spectacular experience, when we hear the infant in a sudden symphony of beatings. We are witnessing these privileged moments, just as is the so attentive presence of the filmmakers. The maturity of cinematic conception is at work, which knows how to give time to time within the availability of a view that nothing could disturb. Geburt gives birth to the dimension of a natural accomplishment, away from all untimely medicalization. Simply the spectacle of life that is accomplishing its work.

Jean Perret in the catalogue of Visions du réel Nyon 2009